chasing voices breaks its short ceasefire and rearms for the 5th installment in the ongoing series of musical theses at the forefront of new york citys electronic scene. purging the emotional distance and ironic poise of an increasingly numb aesthetic culture, *awoken by tears* is the naked, stark and barren truth of a deeply sentient musical form. heartbroken and angry, this is the new techno militancy taking on the classic materials of creative drive: pain, loss, memory—those negative spaces of the human condition that lay waste to so many weak souls, leaving behind piles of dust and rubble in their path.

the new album from the uk metal titans

nice price deal !!! exzellentes remake des house-klassikers tears, im original von frankie knuckles feat. robert owens, des britischen produzententeams deep city soul feat. darryl d bonneau, und damit eine der wenigen house-scheiben, die derzeit stark in der northern soul-szene laufen. die modern soul 7inch edits erscheinen hier exklusiv und sonst nirgends.

introducing joakim from marseille, after originally producing techno and going to free partys with mates, he then moved to mexico where he started going to underground nights and was introduced the the sounds of sabre, alix perez, calibre, zero t and alike.from this he quickly switched from producing techno to dnb. he then moved to london to understand this new sound he had discovered a whole lot better and link up with the local people in the scene. tears and 4th floor are 2 slices of contemporary drum and bass at its finest, gathering heavy dj support.

four fresh mashups/edits/remixes on white/ivory marbled vinyl.

hailing from cheshire, submerse is an esteemed producer/dj with a distinct and recognisable sound that traverses beat music, ambient, 2-step and autonomic whilst being punctuated by a myriad of unique and personal influences. the past year has seen him at his most prolific, releasing tracks & remixes with r&s sister label apollo records, med school and many more. submerse was featured by pioneer japan and was also named band of the week in the guardian newspaper (2012).
amidst a plenitude of productions, submerse has also seen support emerge from influential media titans such as dj mag, xlr8r, big up, bbc radio 1 and bbc radio 1xtra.

first iside release comes from danilo vigorito

brilliant groovin deep house, ibiza / beach flavour

after two splendid releases of industrial house for amsterdams rush hour, the elusive b.d.i. graces running back with his presence. trading the factory for the holy see, he delivers a triptych that goes across countries, continents, time and space. paper tears is some serious vatican house and the deepest track that the paradise loft never played. coveted with the devoutness that is the tribal tears dub and a new wave whip subtitled same victories, same mistakes, there is a prayer here for every matter. comes in limited super sleeves and unlimited niceness.

etzt auch als lp: das 2010er album der country-pop-sängerin shelby lynne!

the original track features on the compilation balance mixed by deetron coming in november. spanish producer simon garcia has already impressed with his ability to move effortlessly from techier sounds to the deeper reaches of house music. a talent that has brought him the opportunity of releasing his work on labels such quartz music, composite, supplement facts, nrk and now, perspectiv. >tears in vain< was an instant favourite with perspectiv boss ripperton. throughly road-tested, it was snapped up for the label and is brought to you today backed by a stunning remix from his fellow countryman, deetron. simons original is deep yet progressively driving. matching rising jets and beautiful vocal with a background of wild horns and handclaps. deetron continues to tread the heavenly path that so few can walk, turning in yet another masterful piece. staying true to the original, he adds elegant and classic touches. most pointedly the synth-bathed break, rasping hats and warm oldschool baseline.

dark and raw undereground techno

the a side >feel my tears< is a warehouse burner on many levels. perfect for those summer evenings of drug loneliness.
b1 >courting< is a big room post-post-dustep uk garage-house stomper with a very loud snare drum.
the last track on the record how we do is a strange jazz techno house hybrid, taken from the early years album and now available on vinyl due to popular demand.

ltd backstock !

primitive rockabilly in its purest from from jimmy sysum and the rockin three from california. discovered in the blue moon label vaults in santa clara, this unreleased demo is his only ever recording. only a handful of acetates have ever surfaced from these 1950s sessions, exchanging hands for vast sums with collectors. dj support from keb darge, andrew weatherall & mark lamarr.

svetec from hungary and sepromatiq from slovakia teaming up to bring you one banging hard techno album! words simple cant describe this piece of madness. their message for the future is simple. we are all going to die.

nach veröffentlichungen auf kindred spirits / nod navigators, vitamine source oder affine records gibt der wiener thomas oliver johnson alias dorian concept seinen einstand auf dem londoner label ninja tune. der beatbastler fusioniert electro, hiphop, techno und jazz miteinander und gilt als aufstrebender produzent. er tourte bereits mit größen wie q-tip und seine tracks werden von künstlern wie flying lotus, hudson mohawke oder gilles peterson gefeiert.

just an confirmed house classic ! ibiza smash since so many years....

straight from the musical hotbed of saint-petersburg in russia, we are delighted to introduce yet another exciting new talentË introducing unquote!
fans of hospital and med school will have already caught a glimpse of his scintillating and seductive electronic sounds on >the future sound of russia< and >remix your mind< eps.
if these somehow passed you by, make sure you check out his stunning debut med school single!

when it hits there is no escaping this deeeeeep creepy crawly mind meld. it engulfs you, then sucks you into a womblike state, only to spit you back out onto the dancefloor where youll be jakking your ass off!

silver tears and early sept fuse disco elements with italo influences for a cosmic sound, we love so much!! remixes come from japans bocca grande and space ranger from germany!!

four track ep by label owner aroy dee.
the first track >once u loved<, is warm and emotional, with slowly evolving strings topped with mysterious whispering vocals, reminding to older blake baxter material. 2nd track, >tears< is a fierce and sexy chicago-house influenced dancetrack, with a solid baseline, steady beats and lush keys.<br 7>first track on the b-side is >lift me high<, a downtempo dreamlike analogue house classic with haunting strings and vocals of miss salvador, merging larry heard and g-strings with an italo-disco kind of atmosphere. last on this ep is >soul spark<, an atmospheric techno track with the raw energy of early relief-releases and the psychedelia of dance mania.

2009 tears for fears rework!

amazing classic deep house !!! old skool at it best !!

for the 8th outing tech itch has 2 big dramatic tracks brought to the table, bi polar has huge beats and killer boomerang basslines, crimson tears has a slighty oriental theme throughout the intro then a big dark soundscape takes control all this paired with low freq sub bass make this one for the big sound systems.

moonbeam show maybe one of their most versatile pieces of music, describing the feeling of morning glory. this is perfect for after hours and moments of collective happiness

nice price deal !!! side a features bold arrangement of a little known but highly adventurous 70s sex disco gem. horseman is on the flip, already a firm favorite at the back2back parties where there is a strong appreciation for dangerous grooves.

breaking the rules and beeing anything but mr. nice guy - with this massive new ep on karateklub blood & tears shows his straight, trippy, disturbed and mindthrilling way of getting a dancefloor boiled, slaughtered and painted blood-red. blood on the dancefloor is a hypnotising anthem, a bow to the sound of frankfurt of the mid ninetees, pounding more than nine minutes, combining the catchy grooves of todays- and the spirit of oldschool techno with rising pads and pushing sequences. this was made to be played on big floors on very high volume, so turn it up and see what happens when the drums return after a breathtaking break...because blood will follow blood - flip the disk and drop the needle. another advanced dj tool awakens the b-side - your truth was just another lie, something like the beautiful silence before the storm which is the heavy and absolutely non-compromising i wish you were dead. eight minutes of hate and destruction, of nothing but pure techno and a statement that needs no fucking explainings!

gorgeous sound, sweaty beats and a dream of a female voice! no, i am not talking about the new jenna jameson movie, but from the 1st release from the djs jay pariz & meave de tria. dancing with tears in my eyes, a hit from the 80ies by ultravox, and converted it into a danceable club dream from vinyl. youthfully cheeky they play with the a bit long in the tooth gotten song and planted on a living cell therapy which is listenable. incl. 3 remixes by niels van gogh, doc phatt and spacekid

komplement recordings is now ready for the second release with 3 great melodic tracks full of harmony! on the a side, ludwig buez deep into the emotional aspect of minimal music, closing your eyes while listening to >losing tears< will let you trip for more than 8 minutes. the b side lovefool is a wonderful after-party track, great for ibizas beaches!! spicy percussions & nord lead chords brings warmth and smiles to the dancefloor. oscar (confused/karate) joined the komplements team with a killer remix where he changed the whole thing to give his personal touch on the record

first up on the a side is the bouncy sound of boogie down, co produced with he of liquid v fame ? dj mosus. with its hip hop flavour, acid overtones, squelchy leadlines and rumbling bass this is a track aimed straight at the dancefloor without compromising on integrity...boogie on down yo!

big with sonar kollektiv posse, alex attias, peter kruder, dave ellesmere, kiki, agoria, fabrice lig, 3channels, chymera, simon baker, dan ghenacia, sasse !! + quarion remix... already featured on our current label compilation >grand cru 2008<, we now welcome andrès garcìa with his first regular release on our sub-imprint connaisseur supérieur. andrès, a geneva-based musician with spanish roots was early infected with the music virus. he started with classic piano classes at an early age, and moved from there to jazz and improvised music. this lead him to the conservatoire populaire de musique genève, where he attended classes in electro acoustic music. today he’sproducing solo or with partners like dandy jack, quenum or paris the black fu on prestigious labels like crosstown rebels, imploz and num, beside his work in the contemporary art section, for theatres and movies. >no more tears< is a genuine summer track with an alluring groove, mysterious oriental-sounding vocals and an excellent percussion work, which is tailor-made for deep and moody techno sets. drumpoet community’s man of the moment - quarion

next peaktime burner from blood & tears! this one is more melodic and deep, but still focused on straight percussion elements to push! great mixture between detroit-techno- minimal-deep-house-something!

get ready for the second part of the fresh-kicks series! at this time oscar gets support from the amazing blood & tears (remember >run with the bullet<)! furhter support comes from stephan bodzin, lars sommerrfeld, kolombo

stop tears is a cheeky spin on a certain familiar house hit. while ass stripes is a sly stomper with a difference, that will have you marching to a 7 nation army.

the first release from blood & tears on karateklub was played and charted by dominik eulberg & chris liebing! so get ready for the next bloody strike: run with the bullet! at this time he gets support from perc (drumcode / kompakt) with a remix from >run with the bullet<! what can you expect? straight and dirty techno!

incl demon remix. born in paris in 1977, ari currently resides in tel-aviv, israel. now he comes with his debut on help yourself. help yourself can now present his most recent and eagerly anticipated ep to date, >hangover tears< wich sees ari bring a more emotive and personal side to a production technique that has already generated so much interest

mental bangin chicago tech traxx

born and raised in tokyo, living in berlin since may 2007, akiko kiyama presents on neo010 two wonderful minimal- tracks, synthetic, acrylic, rough and raw, sober and straight, shy and yet damn clubby. akiko - whose delicately reduced musical style is partly defined by some earlier 12 inch releases on m-nus creates a fragile and surprising cosmos of subtle rhythmical structures and wobbling guttural waveforms, all this combined with this very special female approach that people all around the globe seem to love more and more. for those who like it a little bit less minimal, there are two remixes included. we have one by humantronic, the minitech (or tech?) berserk from france, who re-establishes an industrially strict balance of pumping and knitting sounds, with almost trancy elements good and healthy food for the club community

includes frankie knuckles tears in full intention and original mixes, dee lites groove is in the heart and ralphie rosarios you used to hold me

wow! karateklub throws the next bomb!blood & tears alias marco danneberg is formerly known for his hard-techno productions. this powerfull 5! track ep sounds like a fresh mixture somewhere between plastikman and chris liebing: a pumping bassdrum meets tweaky bleeps at 128 bpm! brian sanhaji from enable records transforms the >post metrom< to his kind of measures. an incredible remix, that fits terrific to the original tracks. last but not least, the sole karate girl mixed it up for the club. special bonus: >outro<!

two excellent atmospheric techhouse tracks..

>tears< is a rich tech-house pleaser for the lat night crowds, with a thick bassline, bubbling analog keys, crisp beats, and drifting synths all combining nicely for some very jeff mills-like gear!! on the flipside, part 2 hits more of a peaktime groove, with filtered synth stabs, chunkier beats, and a retooled bassline helping to keep the floor crowds moving !!